Ben
Ehrenreich's account of his time spent in the West Bank, mainly in
the village of Nabi Saleh, is a forceful journalistic record of the
experience of Palestinians, supported
by Israeli
and foreign activists, who
oppose
the Occupation, run by the state of Israel and delivered by various
arms of the Israeli Defence Forces (IDF) and other state agencies.
As
well as descriptions of protests and violent put-downs, the book
includes historical and political background to provide information
and context. It is useful for readers new to the contemporary story
of Palestine.
As
is often the case with Western activists and journalists in
colonialist settings, Ehrenreich's best relationships locally are
with the children. He has full and frank engagements with many
adults, notably Bassem and Nariman Tamimi, with whom
he lodges for part of the time. They are active and experienced in
the resistance to the Occupation which, in Nabi Saleh, focusses on a
spring well
and the land around it. A weekly march to the well, now occupied by
the IDF and an Israeli settler community, to protest at
the usurpation of the
land
and the water, is the primary act of resistance. These
Friday actions - various combinations of march, protest, violence by
the IDF, with tear gas, stun grenades, 'stink water' cannon, rioting
and stone throwing by young villagers - provide a metronomic beat
throughout the book.
The
term 'embedded', when applied to journalists in war zones, first
received general currency when applied to individuals and their
relationships with Western Allied Militaries in Iraq in 2003.
Ehrenreich is embedded with an extended Palestinian family, their
neighbours and associated Israeli activist-supporters, who are, by
dint of the occupation, engaged in acts of resistance each and
everyday, many of which acts take them into direct conflict with the
Israeli state and its forces.
Ehrenreich
writes 'on the nose' most of the time, in a contemporary, Westernised
journo-voice you would read in feature articles in, say, The
New York Times
or Harpers.
He gamely admits to authorial defensiveness in that he wishes to
offer the redress of story to the world he asserts is currently off
balance. He aspires to
something
more modest than objectivity, which is truth.
He
affirms, with pride, the truth that even in despair and hopelessness,
people continue to resist.
Ehrenreich
is a novelist as well as a journalist and he has a genuine
capacity for story. He brings the reader into the incidents he
witnessed and wrote about, in as far as any outsider can so do.
There is a sense of immersion and insight. There
is also a sense of being at a remove, hovering as a drone camera
hovers above affairs, getting images and taking views.
Short
'interludes', scattered though the main text, offer wide and
sometimes pinpoint views of the situation. They read like diary
pieces from the London Review of Books. They work, in their own way,
to offer commentary, often sub-textually illustrating just how
difficult it is to overturn colonial occupation.
One
such 'interlude' is entitled stagecraft, where
Ehrenreich comments
bitterly on the impotence of the Palestinian Authority (PA) and on
the manner in which it acts as an enabling
buffer between the population and the occupation. He views
the rubble, jerry re-built PA headquarters, the Muqata'a,
as
the setting for the demise of possibilities for change.
As
a contemporary primer on the character and experience of Palestinian
resistance to the occupation, Ben Ehrenreich's The
Way to the Spring is
an informative and affecting account by an ecrivain
engagé,
an outsider and a sympathiser, opening a window for readers into
the
turmoil at the navel of the world's search for justice and peace.
The
book ends with comprehensive notes and a useful index, which take
it beyond the bounds of magazine reportage and into the fields of
social research and historical accounting, where it makes valuable
contributions.
The
chapter on the city of Hebron, entitled A
Matter of Hope, is
a chilling digest of the militarised experience of people in that
city and all of Palestine. The perverse normality that citizens
endure takes Ehrenreich into considerations of science fiction and
dystopian futures. The
ancient city of
Hebron is all too thoroughly dystopian in the present. The
chapter ends
with a killing and a funeral, leaving the reader to wonder at the
chapter title and how small a matter hope is.
The
Way to the Spring – life and death in Palestine;
Ben Ehrenreich, Granta Books, London, 2016
See
also a review by Nathan Thrall in London Review of Books, Volume 38,
Number 23, 1.12.2016
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